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Horn Concerto in E-flat major No. Mozart The composer in Horn orchestra. Yet, the finale of K. It only takes a minute to sign up. There are lots of classical pieces called "Sonata", and they usually have 3 movements. But there are guitar Sonatas by Paganini that only have 2 movements!

And I heard there's a crazy Tchaikovsky -- maybe it was a symphony, but that's still sonata-form, right? I heard orchestras get spooked-out when playing this piece in Japan because they alone, having done their homework, know not to clap after the boisterous III. Would someone explain what the 'Sonata-Allegro' form is, and perhaps shed some light on these side-questions by-the-by?

Are there others that belong to the same class? There are three different things here: the sonata -allegro form, the multi-movement sonata form, and the title sonata. The sonata -allegro form is a form of one movement. It's usually fast hence the allegro and the big structure is ABA, where the first A is called exposition , B is development , and the second A is recapitulation.

Sometimes there's a slow introduction and, especially with Beethoven and later composers, a coda at the end. If the movement adhered to traditional form, its key would be E-flat major the relative key , A-flat major the submediant major or subdominant parallel or C major the tonic major or parallel key. The movement opens with the solo piano and the opening is marked with detailed pedalling instructions. The finale is in sonata rondo form.

The movement begins in C minor with an agitated theme played only by the piano. The movement ends with a C major coda marked presto. The score was incomplete at its first performance. Beethoven's friend, Ignaz von Seyfried , who turned the pages of the music for him that night, later wrote: [2].

I saw almost nothing but empty pages; at the most, on one page or another a few Egyptian hieroglyphs wholly unintelligible to me were scribbled down to serve as clues for him; for he played nearly all the solo part from memory since, as was so often the case, he had not had time to set it all down on paper. From Wikipedia, the free encyclopedia. Piano Concerto in C minor Op. Credo: Et incarnatus est. Sanctus: Sanctus. Introitus: Requiem. Kyrie II. Sequentia: Dies irae. Sequentia: Tuba mirum.

Sequentia: Rex tremendae. Sequentia: Recordare. Sequentia: Confutatis. Sequentia: Lacrimosa. Offertorium: Domine Jesu. Offertorium: Hostias. Sanctus II. Agnus Dei II. Communio: Lux aeterna. Dixit Dominus Domino meo. Confitebor tibi, Domine. Beatus vir qui timet Dominum. Laudate pueri Dominum. Laudate Dominum omnes gentes. Magnificat anima mea. Kyrie in D minor, K.

Ave verum corpus, K. Exsultate, jubilate, K. It has a main theme repeated many times, and there are several subordinate themes. The orchestral exposition changes keys many times, but the second exposition is mainly in G major. The development starts in E-flat major , then modulates to C minor , which ends with an octave glissando.

The recapitulation is in C major. There are three options for the cadenza to this movement, which vary in length and difficulty. The coda is played by the orchestra alone. Performances vary in length from fourteen to eighteen minutes. The second movement is in the key of A-flat major , in this context a key relatively remote from the concerto's opening key of C major.

If the movement adhered to traditional form, its key would be F major , the subdominant key, or in G major , the dominant key.

The clarinets are given an unusually prominent role in this movement, having the melody as often as violins.